John Lennon brutal confession to Paul McCartney in film 'Get Back' - the 3 episode are now free on the web

By editorial board on December 1, 2021

John Lennon reveals 'torture' of Beatles' final album  'We were going through hell'. John held a secret meeting with Paul McCartney in 1969 where he spoke about what he didn't like about The Beatles and his regrets from the band's career.

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Direct link to episode 2 Here

The Beatles' latest documentary, Get Back, hit Disney Plus last week and showed off a new side to the Fab Four. Part two of the three-part series included a scene that showed John Lennon pulling Paul McCartney aside to have a secret meeting to air some of his issues. They met at a cafeteria away from prying eyes - and cameras - to sort out their problems, and to discuss George Harrison's growing frustrations with the band's songwriting process.

Recording their 12th and final studio album was nothing short of "torture" for The Beatles, said John Lennon in a tape-recorded interview coming up for auction this month.

McCartney launched into telling Lennon about how he wished both he and Harrison had "fought back" during their songwriting sessions. Lennon replied by opening up: "Now, the only regret about the past numbers is when, because I’ve been so frightened, I've allowed you to take it somewhere where I didn't want.

"And then, that my only chance was to let George take over, or interest George in it."




"A lot of the times you were right – and a lot of the times you were wrong."

The Fab Four had just completed "Let It Be" in 1969, but had yet to break up, when Lennon and wife Yoko Ono sat down in Toronto with radio DJ and Village Voice critic Howard Smith for an hour-long interview.

"We were going through hell. We often do. It's torture every time we produce anything," Lennon revealed.album

"The Beatles haven't got any magic you haven't got. We suffer like hell anytime we make anything, and we got each other to contend with. Imagine working with the Beatles, it's tough," he said.

"There's just tension. It's tense every time the red light (in the recording studio) goes on."

Released in May 1970, and ranked by Rolling Stone magazine as one of the 500 greatest albums of all time, "Let It Be" was largely recorded in London in 1969 to complement a film of the same name.

Its title track and "The Long and Winding Road" endure as two of the Beatles' most memorable songs.

But for Lennon, who was murdered in New York in 1980, "Let It Be" was a "strange album" that reflected the friction that had grown between himself and band mates Paul McCartney, George Harrison and Ringo Starr.

"We never really finished it. We didn't really want to do it. Paul was hustling for us to do it. It's the Beatles with their suits off," he said.

New Hampshire auction house RR Auction said the hour-long interview over two audio tape reels had lain forgotten for nearly four decades in a crate at the rear of Smith's loft in New York.

In a nutshell, Paul wanted to make - it was time for another Beatle movie or something, and Paul wanted us to go on the road or do something. As usual, George and I were going, 'Oh, we don't want to do it, fuck,' and all that. He set it up and there was all discussions about where to go and all that. I would just tag along and I had Yoko by then. I didn't even give a shit about anything. I was stoned all the time, too, on H etc. And I just didn't give a shit. And nobody did, you know...</

Paul had this idea that we were going to rehearse or... see it all was more like Simon and Garfunkel, like looking for perfection all the time. And so he has these ideas that we'll rehearse and then make the album. And of course we're lazy fuckers and we've been playing for twenty years, for fuck's sake, we're grown men, we're not going to sit around rehearsing. I'm not, anyway. And we couldn't get into it. And we put down a few tracks and nobody was in it at all. It was a dreadful, dreadful feeling in Twickenham Studio, and being filmed all the time. I just wanted them to go away, and we'd be there, eight in the morning. You couldn't make music at eight in the morning or ten or whatever it was, in a strange place with people filming you and colored lights.

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