Video: The moment Paul McCartney meets Ozzy Osbourne for the first time

By editorial board on January 23, 2024

"I'm a big Beatle fan and when I first met Paul McCartney, it was like meeting Jesus Christ "

When you're as a big a star os Ozzy Osbourne, there's likely not many people that could leave you starstruck, but during a recent episode of The Osbournes Podcast, Ozzy revealed that there was one fellow musician that left him in awe.

Paul McCartney and Ozzy Osbourne both had been in the business for years before they eventually met in the early 2000s.

The moment began when a stumbling Ozzy was in the studio. He gets wind of The Beatle lurking around the halls and makes his move. But, in fact, the story started a little earlier in the day as Ozzy had asked McCartney to play bass on his track. (Faroutmag)

“Meeting Paul McCartney was fucking phenomenal,” Osbourne told Heat. “I was in the studio at the same time as him and tried to get him to play bass on one of my songs. But he said he couldn’t improve on the bassline that was there. I said, ‘Are you kidding? You could piss on the record and I’d make it my life’.”

VIDEO B/W version - Color Picture version Below

That’s pretty much where the footage picks up and sees Macca and Ozzy start swapping stories and Ozzy in particular gushing about The Beatles and the effect they had on his life. For a man who has spent much of his life either enjoying or enduring darkness, it feels a little jarring to see his face light up like a small child—but that’s exactly what he is in this moment. He’s not Ozzy Osbourne, not the lead singer of Black Sabbath, not the founding father of Heavy Metal, nor The Prince of Darkness, this is purely John Michael Osbourne meeting his idol.

You may also like: The Bizarre Working Titles of The Beatles Songs - full list
It’s slightly odd starting with the Beatles last album: Abbey Road studios is named after the album, not the other way around.These titles were often closely related to the final version. Several times, however – particularly with George Harrison’s songs – a simple ‘Untitled’ was used, and occasionally the working titles were far removed from the final version.

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