Pete Townshend: "Why do I hate 'Pinball Wizard'"

By VMZ Staff on February 23, 2025

Pete Townshend is never afraid to unleash a barrage of barbed comments when he sees fit, more often than not, the target within his crosshairs was his own band.  Townshend is a constant critic of his work.

He’s even gone as far as to pick out The Who songs he hates, with one, in particular.
The song is arguably one of The Who’s most famous songs, ‘Pinball Wizard’. Artists disliking their own songs is nothing new, after all,TOMMY soundtrack - PINBALL WIZARD | Facebook

Townshend, he disliked ‘Pinball Wizard’ almost instantly and has since called it an “awful” song as well as saying in the album’s liner notes: “I’m embarrassed. This sounds like a Music Hall song,” he wrote.

Originally written as part of The Who’s epic rock opera Tommy from 1969, Townshend later admitted that he wrote the song to impress Nik Cohn, who had been giving the band some terrible reviews. As well as being an influential music critic Cohn was also a well-know lover of pinball and so Townshend shamelessly directed a track at the writer in a bid to gain some favourable reviews.

Describing the writing of the song, Townshend said: “I knocked it off. I thought, ‘Oh, my God this is awful, the most clumsy piece of writing I’ve ever done. Oh my God, I’m embarrassed. This sounds like a Music Hall song. I scribbled it out and all the verses were the same length and there was no kind of middle eight. It was going to be a complete dud, but I carried on.

 “I attempted the same mock baroque guitar beginning that’s on ‘I’m a Boy’ and then a bit of vigorous kind of flamenco guitar. I was just grabbing at ideas, I knocked a demo together and took it to the studio and everyone loved it. Damon Lyon-Shaw (the engineer on Tommy) said ‘Pete, that’s a hit.’ Everybody was really excited and I suddenly thought ‘Have I written a hit?’ It was just because the only person that we knew would give us a good review, was a pinball fanatic.”
Roger Daltrey, instead, never liked It's Hard. The second album without Keith Moon is not at all liked by Roger Daltrey, dissatisfied with the work of producer Glyn Johns, more than a repeat offender on this list as he is already working as a sound engineer on both Satanic Majesties and Let It Be. "I had those fights with Pete," explains the singer, "I told him: Pete, this is a complete crap and he shouldn't go out at all."

"From Tommy onwards, I've always heard Pete's writing going more towards the classical form. So, in my head, it's always been like this. I'm really enjoying these shows. It's wonderful to hear these musicians who work so hard to get their positions in these orchestras, and they really get off on playing fresh music.

"Actually, me and also Pete we both love The Song Is Over". Townshend did consider the melody to be a little bit on the nose compared to the vision that he had in mind for the character, saying, “When we do get together musically in this way, it’s like we both acknowledge that there’s something greater than the two of us. I love this song. And a lot of people love it too. It’s an aspirational, kind of corny testament to the universe.”

(Sources: Farout/ VMZ/ NME)

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