Take a closer look at some of the wilder characters from Bruce Springsteen songs ranked by the Americansongwriter.
In his earliest days, Springsteen delivered wild, shaggy anthems full of characters whose ill-advised behavior couldn’t hide their undeniable charisma. These larger-than-life folks usually possessed larger-than-life names. Let’s count down the ten most unforgettable monikers the Boss decided to lay on these cats and kittens.
Catlong (from “Kitty’s Back”)
This poor guy spends the whole song moaning for Kitty and lamenting her infidelity, while remaining utterly oblivious to the exciting machinations of the street going on all around him. Maybe he deserved that goofy name.
Hazy Davy (from “Spirit in the Night”)
Springsteen peppered a lot of cool names into this story of randy youths let loose on a summer evening. Killer Joe, Wild Billy, G-Man, and Crazy Janey all make appearances. We chose Hazy Davy because of how his name seems to reflect the fogginess that clouds his judgment. After all, he’s the one who tears half-naked into Greasy Lake at song’s end and ends up really hurt.
As this could be more a description of the character (or a new special at Dunkin’ Donuts) than a name. But others in the song do refer to him as Gunner, so that’s good enough for us. “Lost in the Flood” is one of the few Springsteen songs of the early era where all these streetlife shenanigans play out in tragic rather than romantic fashion, and the Ragamuffin Gunner is the doomed antihero.
“Rosalita” stands as the quintessential Springsteen tale of shambolic youthful behavior, and, as such, it’s filled with crazy names. Little Dynamite wins out by a nose, if only because of his insistence on hanging in the belfry, playing with the bats, while all his counterpart Little Gun does is stand out in front of Woolworth’s.
Springsteen threw his obsessive fans a major bone when he included newly-recorded versions of “Song for Orphans” and a few other songs he wrote in the early years on his 2020 album A Letter to You. In this Dylanesque track, Dog Man Moses serves as a kind of Catcher in the Rye for all the wayward characters within the song looking for a home.
Springsteen started to leave the wacky names behind on Born to Run, with this one and one more to come on this list being the exceptions. “Tenth Avenue Freeze-Out” acts as a kind of origin story for the Springsteen myth as a whole. Hence, you have Bad Scooter (initials BS, in case you missed it) meeting with the Big Man (Clarence Clemons’ nickname) and watching his fortunes change almost immediately.