Songs that Influenced The Beatles the Most

By editorial board on April 26, 2020

What songs then had the most impact on them, and directly influenced their songwriting to shape their miraculous catalog? Let’s take a look, beginning at the very start of their ascent to what they called the “toppermost of the toppermost,” the summit of songwriting success.

Marc Platt, songwriter & author of How The Beatles Did It weighs in with some persuasive answers.- americansongwriter

“Please Please Me.”

Lennon wrote it soon after hanging out with Roy Orbison, when the band was touring the United Kingdom with the great Texas singer. The song started out as an Orbison-like ballad before George Martin suggested speeding it up. Lennon wrote the lyrics with the word play he knew from childhood when his mother Julia would sing him Bing Crosby’s version of “Please.” We have not one, but two influences on their first UK #1 hit song.

Much has been written and discussed regarding Paul McCartney’s youth and love for music hall and Broadway songs. The Beatles’ Hamburg and early Liverpool sets were plastered with songs like “Til There Was You,” “Love Me Tender,” “Sheik of Araby” and “Ain’t She Sweet.” These obvious influences would show up on McCartney songs like “When I’m Sixty-Four,” “Honey Pie” and “Golden Slumbers.” Sir Paul’s father was a musician and played in jazz bands in the 1940’s and 1950’s and always had music in the home that Paul would draw on.

“Love Me Do.”

It was the first official Parlophone 45rpm release for the band. Reaching #17 on the charts, its blues style is reminiscent of Ray Charles, who was a big influence on the Mersey Beat bands of Liverpool. His “What’d I Say” was covered by everyone in the pubs and The Beatles covered it themselves on the BBC Recordings. The marriage of Ray Charles and The Everly Brothers on this track is great, especially coupled with the simplicity of Buddy Holly, who both Paul and John said influenced the first 40 Beatles songs.

“P.S. I Love You.”
Written by Paul, it was inspired by the Shirelles’ “Soldier Boy,” by Luther Dixon and Florence Greenberg, according to John in his Playboy interview with David Scheff. “That’s Paul’s song, said John. “He was trying to write a “Soldier Boy” like the Shirelles. He wrote that in Germany, or when we were going to and from Hamburg.

“All I’ve Got To Do” is another Lennon-driven song that has a lot of Smokey Robinson traits throughout. John and Paul were truly starting to come into their own. You can easily hear Smokey covering this song himself.

“Don’t Bother Me” is the first-credited George Harrison composition to appear on a Beatles record. With a Cliff Richards-esque feel to it, it has distinctively biting lyrics like those George would later perfect in songs like “Taxman.”

“I Saw Her Standing There”:  “Here’s one example of a bit I pinched from someone,” said McCartney. “I used the bass riff from ‘Talkin’ About You’ by Chuck Berry. I played exactly the same notes as he did and it fit our number perfectly. Even now, when I tell people, I find few of them believe me; therefore, I maintain that a bass riff hasn’t got to be original.” (From Bill Harry’s The Ultimate Beatles Encyclopedia.)

“There’s a Place” was inspired by Leonard Bernstein & Stephen Sondheim’s classic “Somewhere” from ‘West Side Story.’ McCartney acknowledged that he lifted the title directly from the show tune, which famously begins, “There’s a place for us, somewhere a place for us.” Though never officially confirmed, it’s often been suggested that “Somewhere” was inspired by “Over The Rainbow,” by Arlen & Harburg from The Wizard of Oz.

“This Boy” has direct ties to Smokey Robinson’s “I’ve Been Good To You.” The middle-eight is almost identical musically (not lyrically) in its form and emotional bite.

“Baby’s in Black” has Everly Brothers’-type harmonies coupled with those Beatles pop sensibilities. The song was recorded as a waltz in 6/8 time. McCartney admitted often that he and Lennon would fantasize about being Phil and Don Everly. Most of their early songs were singalongs in the Everly Brothers tradition with similar harmony patterns.

“I Don’t Want To Spoil the Party,” “No Reply” and “I’m a Loser” are all Beatles For Sale John Lennon-driven tracks inspired by The Beatles’ hero and friend Bob Dylan. All three songs are introspective and represent Lennon in his domestic married father role. Lennon called this his “Fat John” period, when he was home a lot, watching a lot of daytime television and combing the newspapers and magazines for inspiration. He was obsessed with 1963’s The Freewheelin’ Bob Dylan, which colors several songs from late 1964 throughout his 1965 output, transforming his idea of what songs could contain. “Before hearing Dylan,” Lennon said, “I never thought you could put your real feelings into a pop song.”

“I Feel Fine” is famous for being the first Beatles song to use feedback. Lennon and Harrison both credited the guitar riff to a 1961 Bobby Parker song called “Watch Your Step,” traces of which can be heard also in “Day Tripper.” The Beatles always said they could nick ideas from other recording artists with the best of them. [James Taylor admitted, in this magazine, that his song “Something In The Way She Moves,” which inspired George Harrison’s “Something,” was itself inspired in part by The Beatles, and by this song specifically; its chorus ends with the words “and I feel fine.” ]

“Good Day Sunshine.” McCartney credits John Sebastian and his band the Lovin’ Spoonful for happy song. If you listen to their song “Daydream” and “Good Day Sunshine” side-by-side, you can feel the vibe of similarity, though the songs are nothing alike musically or lyrically.

“Day Tripper,” referenced earlier with Bobby Parker’s “Watch Your Step,” seems to be another one inspired by Roy Orbison, with whom the band toured  in 1963. It’s said that he was working on his huge megahit “Pretty Woman” on the tour bus. That song seems like an obvious influence, with its bluesy hook, on “Day Tripper.” Listen to both songs back to back. You will hear it.

Here Comes The Sun has been named the most popular Beatles song of 2018, according to data about the UK’s music streaming audience. Source the Courier

The George Harrison-penned track has come out on top as the nation’s favourite song from the Fab Four, racking up more streams between January and November than any other, streaming service Deezer said.

Twist and Shout is in second place, Let It Be is third, Come Together is fourth and Hey Jude rounds off the top five.

Other songs in the top 20 include Day Tripper, I Want To Hold Your Hand, Penny Lane and While My Guitar Gently Weeps.

 The Beatles (White Album / Super Deluxe)      YOU CAN LISTEN TO THE WHITE ALBUM HERE

 

 

https://twitter.com/deezeruk/status/1065586952139882498

Deezer has also shared other streaming statistics to mark the 50th anniversary of the group’s The White Album, which was released November 22, 1968 – including the surprisingly young age of many listeners.beatles

It has been found that more people under the age of 25 currently stream Beatles tracks than those who would have been around in their heyday.

One in six (17%) of music fans streaming the Beatles on the platform are aged between 18 and 25, while those aged 55 and above make up just 13% of overall listeners.

 

The streaming data has also found that 75% of listeners are male, and that the top three locations of their fans are London, Glasgow and Birmingham.

 

 

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