Peter Asher's ‘Everywhere Man’ new documentary reveals his life working with James Taylor to Carole King to Paul McCartney

By VMZ Staff on June 16, 2026

“My life has been startlingly devoid of the standard rock’n’roll drug-and-sex dramas,” Asher said. “So I thought a documentary about me isn’t something people will want to see. It sounds boring.”

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On the contrary, Asher’s story stands among the most dramatic and consequential in music history, spurred by achievements that shifted the course of pop more than once. Through Asher’s pivotal role in the lives of stars like James Taylor and Carole King, he played a key role in instigating the soft revolution that allowed singer-songwriters to dominate the charts in the 70s. He’s also partly responsible for the so-called “LA sound”, epitomized by the pristine albums he produced for stars like Taylor and Linda Ronstadt. At the same time, he raised the profile of the studio musicians he employed so dramatically, affecting how average listeners understood and appreciated the instruments they heard on the albums they loved.

On a more gossipy level, Asher bears some credit, or blame, for two of the most storied relationships in rock’n’roll: the alliance of John Lennon and Yoko Ono, as well as that of Marianne Faithfull and Mick Jagger. And while it may be true that his own life is low on sex and drug escapades, he has proxy relationships to harrowing tales of heroin addiction, mental breakdowns and even suicide.

Jane’s connection to McCartney wasn’t the Asher family’s first link to the Beatles. When their producer, George Martin, was still a student at the Guildhall School of Music & Drama, he was required to take up a second instrument and he chose oboe. Wanting to learn from the best, he took private lessons with Asher’s mother in their home. McCartney had an equally homey connection to the family. When the Beatles began to become huge, McCartney sought refuge in the upper floor of the Asher home at 57 Wimpole Street. There, he wrote songs like Yesterday. “I imagine my mother would have been the first person to hear the song in its most primitive form,” Asher said.

Together, McCartney and Lennon wrote I Wanna Hold Your Hand in the family’s basement. But it was another song penned by McCartney that kickstarted Asher’s career. He’d formed a duo with his friend Gordon Waller based on the harmonies of the Everly Brothers, but they had no strong original songs. As luck would have it, McCartney had just written a sweet piece, A World Without Love, that John considered too treacly to record.

(Read the fll interview on The Guardian)

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